Profile: Ochieng’ Nelly
Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. He began playing the guitar in his teenage years after being taught and inspired by the pioneering Congolese Musician Adolf Banyore.
Ochieng’ Nelly got his first guitar in 1961. He travelled widely through Uganda, Congo and other African countries. He was widely exposed to Congolese guitar playing styles. He developed his own unique playing style that was later a big influence to the sound of The Ogara Boys Band, and Benga music in general.
Nelly worked with his Congolese mentor for a while before joining The Ogara Boys Band in 1962. The Ogara Boys Band consisting of founding member John Ogara Odondi and Aketch Oyosi was formed in 1960. Together the trio started and developed a unique sound that got the name Benga, in 1963.
In 1966, Nelly left Ogara Boys Band to pursue his career elsewhere. He briefly collaborated with another Benga legend, George Ramogi.
Ochieng’ Nelly has produced several songs such as: Monica Abio, Ombua Akelo, Celestine Juma, Samuel Aketch among others.His story is featured extensively in the Ketebul Music produced documentary: Retracing The Benga Rhythm.
Despite his old age and having a limp he got after a rad accident, Ochieng’ Nelly remains a very active musician playing a regular venue three times a week in Nairobi’s South B estate. He has also recorded an eleven track CD consisting of some of his old hits and new songs at Ketebul Music Studios. The CD recording also features collaborations with his peer from his Ogara Boys days, Aketch Oyosi.
Through Ochieng’ Nelly’s music, the legend of Beng of the yester years, still lives on.
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The Last Band Standing! Celebrating 40 Years Of Orchestre Les Mangelepa
Ochestre Les Mangelepa was formed in 1976 in Kenya. Originally hailing from Lumbumbashi in the Democratic Republic of Congo, they first came to Kenya as members of Ocherstre Baba Nationale of Baba Gaston. They derived their name ‘Mangelepa’ from a dance that had been invented by bandleader, Kabila wa Kabanze Evany while still in Gaston’s band. It was inspired by the French ‘Marque le pas’ (marking time).
Ocherstre Baba Nationale arrived in Dar in 1972 and soon after started recording with the Tanzania Film Company and another company called Sindimba. In 1973 they boarded an OTC bus to Nairobi to record. They recorded “Affaire Zua” and “Mapenzi ya Peremende” at High Fidelity studios. Following differences amongst the ranks, some members led by Kabila wa Kabanze Evany broke off from Orchestre Baba Nationale to form Orchestre Les Mangelepa.
In 1979 Mangelepa landed a tour of Malawi, which resulted in their other hit “Zikomo Malawi,” a live recording. When the tour ended they returned to Garden Square in Nairobi, and continued to cut records with EMI, Tobina, Jojo Records, among other labels.
Mangelepa have since recorded Safari ya Mangelepa, Golden Voices album and the DVD, The 33rd Anniversary of Mangelepa with Sound Africa.
In June of 2016, Mangelepa had their first European tour that saw them perform 9 shows in 5 different countries. The tour was organized as a collaboration between No- Nation from the UK and Planet Rock from Germany. They will soon be releasing their 40th anniversary album titled ‘Orchestre Les Mangelepa – The Last Band Standing.’
Mangelepa are truly The Last Band Standing and are one of the few bands which feature a full brass section. The surviving members from the original Mangelepa: Kabila wa Kabanze Evany, Nzazi Kalenga Kibawa Vivy, and Kaniki Lutulu Macky have been joined by younger crop of musicians who are keeping their legacy alive.
Extracted From Shades Of Benga – A Story Of Popular Music In
Leo Mkanyia’s New Album, Bangili, Set For Release
Leo Mkanyia is a singer, songwriter, composer, arranger and a multi instrumentalist. He plays the xylophone, various percussion and the harmonica, but his instrument of choice is the guitar. Leo is also a guitar tutor.
Born into a family of musicians, Leo has been playing music for over 20 years. He was first inspired by his father, Henry Mkanyia, a well-known jazz guitarist in Tanzania who was playing with the legendary DDC Mlimani Park Orchestra when Leo was growing up.
Leo began practicing music when he was eight-years old. He would copy chords by watching his father play, and later steal his father’s precious instrument and practice. Though his father never encouraged him to learn the trade, Leo was determined and encouraged by his mother.
It wasn’t until Leo was 12 years old that his father found out that the boy was stealing his guitar and had by then learned how to play it. Impressed by Leo’s persistence, he finally took his son under his wing and taught him the secrets of the trade.
As they say, the rest is history.
Thereafter, Leo joined several different bands and continued to develop his music and performance. In the process he also learned how to make and play his own percussion like the djembe, tumba and the xylophone.
Leo later decided to develop his own sound and style of music. He travelled around Tanzania researching on traditional dances from different tribes including the Makua, Wayao, Makonde, Gogo, and Sukuma. He discovered that Tanzanian traditional music was rich in rhythm and melody and had a “bluesy” feel to it. This inspired Leo to develop his own modern style rooted in these traditional sounds but using contemporary arrangements, which he calls, Swahili Blues.
The album features several other musicians such as Winyo, Makadem, Juma Setumbi and Nyota Ndogo among others.
Bangili is set for release later this year.
Ketebul Music Founder and Executive Director Tabu Osusa Appointed As Country Representative For Visa For Music
Ketebul Music Founding Director Mr. Tabu Osusa has been appointed as the Country Representative for Kenya in the third edition of Visa For Music (VFM) which will be held from the 16th to 19th of November 2016 in Rabat, Morocco.
Visa For Music is an annual Africa Middle East Music Meeting whose aim is to foster the development of a music market in Africa & the Middle East, highlight emerging artists, offer a suitable environment for creativity and mobility and contribute to the structure of the cultural and artistic sector.
As Country Representative, Tabu Osusa will enhance Visa For Music’s operational activities in Kenya, maintain and improve relationships with stakeholders in music, media, culture and government sectors as well as help improve productivity, efficiency and surpass VFM’s goals.
The meeting serves as an essential and major meeting place for professionals of the music industry at large.
Key objectives of Visa For Music include:
- Supporting export of musical creation from Morocco, Africa and the Middle East towards Europe and Northern markets
- Professionalizing and guiding artists of the region, to promote artistic mobility and help improve artists’ status in Southern countries
- Arousing awareness on the role of the musical stage in the socio-economic development process and in the promotion of peace and regional integration
- Setting up North-South and South-South inter-professional meetings to develop new markets with all kinds of musical productions (traditional and modern music)
- Fostering the professionalization of the sector through the development of structures representing artists and and boosting the development of creative structures in order to stimulate the musical sector
- Heading the musical sector towards new challenges of regional and international dimensions through seminars, training and expertise exchanges with professionals of the world.
Accreditations are currently open!!!
Artists, journalists and professionals can ask for their accreditation via Visa For Music Accreditation
People and organizations who are interested can also book their stand on the Visa For Music website by following the link, Visa For Music Stand Booking