Ochieng’ Nelly

Profile: Ochieng’ Nelly

Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. He began playing the guitar in his teenage years after being taught and inspired by the pioneering Congolese Musician Adolf Banyore.

Ochieng’ Nelly got his first guitar in 1961. He travelled widely through Uganda, Congo and other African countries. He was widely exposed to Congolese guitar playing styles. He developed his own unique playing style that was later a big influence to the sound of The Ogara Boys Band, and Benga music in general.

Nelly worked with his Congolese mentor for a while before joining The Ogara Boys Band in 1962. The Ogara Boys Band consisting of founding member John Ogara Odondi and Aketch Oyosi was formed in 1960. Together the trio started and developed a unique sound that got the name Benga, in 1963.

In 1966, Nelly left Ogara Boys Band to pursue his career elsewhere. He briefly collaborated with another Benga legend, George Ramogi.

Ochieng’ Nelly has produced several songs such as: Monica Abio, Ombua Akelo, Celestine Juma, Samuel Aketch among others.His story is featured extensively in the Ketebul Music produced documentary: Retracing The Benga Rhythm.

Despite his old age and having a limp he got after a rad accident, Ochieng’ Nelly remains a very active musician playing a regular venue three times a week in Nairobi’s South B estate. He has also recorded an eleven track CD consisting of some of his old hits and new songs at Ketebul Music Studios. The CD recording also features collaborations with his peer from his Ogara Boys days, Aketch Oyosi.

Through Ochieng’ Nelly’s music, the legend of Beng of the yester years, still lives on.

Ochieng' Nelly

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Events

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13
Oct
2016

Ketebul Music Founding Director Tabu Osusa Nominated as One Of The IMC Five Music Rights Champions

Ketebul Music Founding Director Tabu Osusa has been nominated as one of the IMC Five Music Rights Champions.

Ketebul Music Founding Director, Tabu Osusa

Ketebul Music Founding Director, Tabu Osusa

Mr Osusa was nominated alongside Dame Evelyn Glennie, a Scottish percussionist and the first person in history to successfully create and sustain a full-time career as a solo percussionist  and  Ramy Essam an Egyptian musician known for his appearances in Tahrir Square in Cairo during the Egyptian Revolution of 2011.

Scottish percussionist Dame Evelyn Glennie - Credit Caroline Purday

Scottish percussionist Dame Evelyn Glennie Photo Credit Caroline Purday

Egyptian musician Ramy Essam - Credit Inaki Marconi

Egyptian musician Ramy Essam - Photo Credit Inaki Marconi

The International Music Council (IMC) was  founded under the UNESCO chatter in 1949 and is the world’s leading membership-based professional organization dedicated to the promotion of the value of music in the lives of all peoples.

The core values of the International Music Council are embodied in a set of Five Music Rights,

First Right – Musical Expression for all:
‘For all children and adults to express themselves musically in all freedom’

Second Right – Musical Education for all:
‘For all children and adults to learn musical languages and skills’

Third Right – Musical Involvement for all:
‘For all children and adults to have access to musical involvement through participation, listening, creation and information’

Fourth Right – Opportunities for Musical Artists:
‘For all musical artists to develop their artistry and communicate through all media, with proper facilities at their disposal’

Fifth Right – Recognition for Musical Artists:
‘For all musical artists to obtain just recognition and remuneration for their work’

15 years after the proclamation of these rights, the IMC gives new impetus to their promotion by appointing IMC Five Music Rights Champions, with the purpose of increasing the visibility of these core values and putting them ‘on the radar’ of musicians and music-lovers around the world.

Tabu Osusa is a key player in the East African music industry. He is the Founding Executive Director of Ketebul Music and for the last 30 years has been involved in the music industry as a promoter, producer, composer and band manager.

In his words: “I feel that the fourth right is the most fundamental because it touches on the basic need to promote the diverse musical traditions of the world and at the same time giving all the artists an equal opportunity to be heard and promoted within a global platform.”

 

TabuIMC
22
Sep
2016

Safari Ya Eriko Mukoyama! Anyango Tours Nairobi

Japanese nyatiti diva, Anyango arrived in Kenya on the 19th of August 2016 on a mission to promote her new album, Anyango: The Safari of Eriko Mukoyama. The visit entailed a number of shows in Nairobi aimed at promoting her brand new album.

Anyango's arrival at the Jomo Kenyatta International airport in Nairobi

Anyango's arrival at the Jomo Kenyatta International airport in Nairobi

Rehearsals Day 1…  A group of multi-talented musicians converged at Ketebul Music Studios to join Anyango in the first step of the journey.

With Kasiva Mutua on percussions,  Ricky Nanjero on bass guitar, Michael Okinyo on the keyboard, Gervais Katumba on drums, Boaz Jagingo playing the orutu; a single-stringed traditional instrument and background vocalist Lydia Ogoti on board… Anyango’s new band was complete!

 

Rehearsals day 1

Rehearsals day 1

Keyboardist Gervais Katumba

Keyboardist Michael Okinyo

On the 25th of August Anyango had her first show at Thursday Nite Live @ Choices where she wowed the crowd with her brilliant live act.

The four-hour live performance, filled with beautiful nyatiti sounds and the angelic harmonies of Anyango and her band doubled up as the official launch of Anyango’s album, Anyango: The Safari of Eriko Mukoyama.

The album consists of 15 songs in total including a collaboration with Kenge Kenge Orutu System, a traditional band from Kenya.

The song entitled ‘Anyango Nyar Japan Meets Kenge Kenge’ is a song Anyango wrote right after the Fukushima earthquake tragedy in Japan. It is meant to encourage the human spirit of resilience. Kenge Kenge infuse a strong traditional musical element to this song, expressing the same sentiment in Dholuo; a local language from Nyanza, Kenya.

Anyango Nyar Siaya at Thursday Nite Live @ Choices

Anyango Nyar Siaya at Thursday Nite Live @ Choices

Anyango live on stage at Choices

Anyango live on stage at Choices

On the 26th of August Anyango performed at the Hideyo Noguchi Africa Prize Reception at The Hilton Hotel in Nairobi.

The Prize is awarded to individuals with outstanding achievements in combating various infectious diseases in Africa or in establishing innovative medical service systems. It is awarded after every five years.

Anyango at The Hideyo Noguchi Africa Price Reception

Anyango at The Hideyo Noguchi Africa Price Reception

Left-Right: Kasiva Mutua, Ricky Nanjero, Anyango, Gervais Katumba and Lydia Ogoti at The Hideyo Noguchi Peace Prize reception

Left-Right: Kasiva Mutua, Ricky Nanjero, Anyango, Gervais Katumba and Lydia Ogoti at The Hideyo Noguchi Peace Prize reception

27th of August 2016, Anyango performed at a symposium held for the First Ladies of Africa at the Intercontinental Hotel, Nairobi during the Tokyo International Conference of African Development (TICAD IV)

The event was hosted by H.E. Margaret Kenyatta, First Lady of the Republic of Kenya and H.E Akie Abe, First Lady of Japan.

Anyango at TICAD

Anyango at TICAD

H.E Margaret Kenyatta, First Lady of Kenya enjoying performance by Anyango at TICAD IV

H.E Margaret Kenyatta, First Lady of Kenya enjoying performance by Anyango at TICAD IV

Anyango Nyar Siaya playing her Nyatiti at TICAD IV

Anyango Nyar Siaya playing her Nyatiti at TICAD IV

On 2nd September 2016 Anyango appeared on The Trend Live with Larry Madowo, a live entertainment television show aired every Friday on NTV Kenya. She was interviewed and did a short performance with an all-girl 3-piece band consisting of Kasiva Mutua, Lydia Ogoti and herself.

Anyango and her band performing Weche Ng'eny at The Trend Live

Anyango and her band performing Weche Ng'eny at The Trend Live

Anyango during an interview at The Trend Live with Larry Madowo

Anyango during an interview at The Trend Live with Larry Madowo

During the interview Anyango did an impromptu collaboration with Jua Cali, a renowned Kenyan hip-hop artist. Jua Cali rapped impressively over Anyango’s nyatiti sound.

Jua Cali rapping to Anyango's Nyatiti sound

Jua Cali rapping to Anyango's Nyatiti sound

Larry Madowo host of The Trend with Anyango Nyar Siaya

Larry Madowo host of The Trend with Anyango Nyar Siaya

To wrap it all up Anyango,s final show was at The Alchemist, Muthurukishion 3: Strings of The East. This went down on the 3rd of September 2016.

This 3rd edition of Muthurikishion featured Anyango who plays the nyatiti as well as DBass Ganun from Tanzania who plays the ganun, both string instruments from East Africa and the Middle East respectively, hence the name ‘Strings of The East’.

Anyango on stage at The Alchemist

Anyango on stage at The Alchemist

And if the music is good… You dance!!!

If the music is good, you dance

Anyango had everyone on their feet at The Alchemist

Female percussionist Kasiva Mutua doing what she knows best

Female percussionist Kasiva Mutua doing what she knows best

Patrick Ondiek from Ketebul Music

Patrick Ondiek from Ketebul Music

Gervais Katumba on drums

Gervais Katumba on drums

Boaz Jagingo with Ricky Nanjero

Boaz Jagingo with Ricky Nanjero

 

 

 

 

 

 

Anyango CD
01
Aug
2016

The Last Band Standing! Celebrating 40 Years Of Orchestre Les Mangelepa

Ochestre Les Mangelepa was formed in 1976 in Kenya. Originally hailing from Lumbumbashi in the Democratic Republic of Congo, they first came to Kenya as members of Ocherstre Baba Nationale of Baba Gaston. They derived their name ‘Mangelepa’ from a dance that had been invented by bandleader, Kabila wa Kabanze Evany while still in Gaston’s band. It was inspired by the French ‘Marque le pas’ (marking time).

Mangelepa

Orchestre Les Mangelepa

Mangelepa waving the Kenyan flag

Les Mangelepa waving the Kenyan flag at a concert in Europe

Ocherstre Baba Nationale arrived in Dar in 1972 and soon after started recording with the Tanzania Film Company and another company called Sindimba. In 1973 they boarded an OTC bus to Nairobi to record. They recorded “Affaire Zua” and “Mapenzi ya Peremende” at High Fidelity studios. Following differences amongst the ranks, some members led by Kabila wa Kabanze Evany broke off from Orchestre Baba Nationale to form Orchestre Les Mangelepa.

In 1979 Mangelepa landed a tour of Malawi, which resulted in their other hit “Zikomo Malawi,” a live recording. When the tour ended they returned to Garden Square in Nairobi, and continued to cut records with EMI, Tobina, Jojo Records, among other labels.

Mangelepa at Afrika Festival

Orchestre Les Mangelepa at Afrika Festival

Mangelepa have since recorded Safari ya Mangelepa, Golden Voices album and the DVD, The 33rd Anniversary of Mangelepa with Sound Africa.

In June of 2016, Mangelepa had their first European tour that saw them perform 9 shows in 5 different countries. The tour was organized as a collaboration between No- Nation from the UK and Planet Rock from Germany. They will soon be releasing their 40th anniversary album titled ‘Orchestre Les Mangelepa – The Last Band Standing.’

Mangelepa on stage

Les Mangelepa on stage at the Afrika Festival

Evany

Kabila wa Kabanze Evany, Orchestre Les Mangelepa band leader and vocalist

Mangelepa are truly The Last Band Standing and are one of the few bands which feature a full brass section. The  surviving members from the original Mangelepa: Kabila wa Kabanze Evany, Nzazi Kalenga Kibawa Vivy, and Kaniki Lutulu Macky have been joined by younger crop of musicians who are keeping their legacy alive.

 

Extracted From Shades Of Benga – A Story Of Popular Music In
Kenya

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